#171
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Commendable answer to a tough question. On the other hand, your film feels very strongly narrative and actionbased. Think of the merits of silent cinema and its strengths. I think something more experiential would have been better, particularly as one of the goals is to innovate and make these shorts new. Imagine Clive Barker's answer to Un Chien Andalou for example, or a twenty minute horror silent by Eric Red.
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Horror and Bizarro novelist and editor |
#172
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So I assume that all alternate reality time lines stick to current reality time lines?
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#173
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I'll say yes, but people still drink Tab and Perfect Strangers lasted 12 seasons.
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Horror and Bizarro novelist and editor |
#174
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THE SECOND TEST OF HDC IDOL 2008-09
For the second Test, the common theme chosen is - ALTERNATIVE REALITY. Here are your tasks, Goblins :- - Alkytrio666 : Visual media is non-existent. The only popular medium which people use to get entertained is the radio. You are in charge of a local horror radio station and desperately need listeners to tune into your broadcasts. What can you possibly do to get people tuned into your station's wavelengths and make it a popular one? Quote:
- ChronoGrl : Several critically-acclaimed flicks have failed miserably at the BO - Night of the Living Dead, The Exorcist, Jaws etc. all have been flushed down the toilets. For some reason, the audiences arent willing to accept any of those horror flicks. You are a talented and eccentric filmmaker who is hellbent on making the audiences turn towards horror. What ideas can you use to conquer such hard-headed audiences of the world? - FerretChucker : The world in which you have grown up is one without sound. People get their share of entertainment by silent, fast-moving pictures projected by huge projectors in theaters. As a horror picture-maker, you have a really awesome idea which you foresee as a potential world-wide phenomenon in horror silents. What would be your pitch to big studios, and how would you go ahead with making it? Quote:
(Contd.)
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#175
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- Fortunato : You are the casting director of one of the most ambitious horror projects ever dreamed - Aliens. James Cameron gives you full backing, but there's a glitch : Sigourney Weaver has moved on to other projects and is NOT returning back. You go ahead and contact some Cameron favorites - Michael Biehn, Bill Paxton, Carrie Henn, etc. but are repeatedly turned down by all of them. Given the same plotline as the original, who would be your casting choices for all those characters in it?
- X¤Murderdoll¤X : You are in a reality where people love only vampire movies in the genre. Every other sub-genre flicks flop totally at the BO. Given the audiences' collective taste of vampires and more vampires, every known idea from literature and the medias have been exhausted. The top studios want you to make yet another vampire money-spinner. Do you have a fresh idea for a vampire flick to make a mark in the oversaturated audiences' minds? - The Flayed One : Dario Argento has just contacted you, a musician and a composer, to do the music for Suspiria. A major point to note - Goblin doesnt exist. Which soundtracks/songs can you possibly use to impress Argento, and for the overall composition of the entire movie...and make the movie click with all gialli lovers? - Vodstok : 1950s. After 3 continuous years of creature/monster movies which have failed to impress the audiences of the world, Universal is looking for fresh ideas and innovative filmmakers. They feel more justified in doing so when Invasion of the Body Snatchers releases to much critical reviews and flops at the BO. Can you make the audiences turn back to horror with a novel script for Universal? Who would you insist upon making your script into a movie for them? 2 entries by the Goblins so far.
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#176
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Alky- Your answer is thoughtful but lacking in specificity. Others have presented specific projects. I would have liked to have seen an example of what you thought radio should be in this vein.
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Horror and Bizarro novelist and editor |
#177
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Ferret- you outline an interesting story- I want to find out how it ends! However, you make some assumptions that I'm not sure are logical, such as this one:
Quote:
Alky- I agree with Doc. You were asked what you would do to make your station popular. I don't see that in your answer. Your appreciation of silence in the medium is notable- but you make no mention of sound effects. Sound effects artists in OTR were quite creative- a prime example is your example of War of the Worlds. They went to great lengths to find original sounds for the alien creatures ships and movements. The power of a simple sound like a creaking door, or the horrible sound of an axe being lodged into a human body- all helped radio dramas gain their effectiveness. What kind of shows are you going to program? How and why are they going to be popular? What will be their particular strengths? Additionally, in a world with no visual media surely there would have been more resources devoted to developing new audio technologies, methods and soundscapes. How could you have benefited from that- or even pioneered it? Another good, but not great answer. Last edited by neverending; 12-06-2008 at 09:55 PM. |
#178
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BTW V- you are quite clever in coming up with these interesting and challenging scenarios.
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#179
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Quote:
Roshiq, Rayne and Cactus have shown it.
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#180
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Quote:
Looking forward to see who'll get the lead in Goblins..! :cool:
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@Letterboxd |
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