|
View Poll Results: Continue with your torture and post more or give up and stop? | |||
POST MORE | 1 | 50.00% | |
GIVE UP | 1 | 50.00% | |
Voters: 2. You may not vote on this poll |
|
Thread Tools |
#21
|
||||
|
||||
She pulls up her pants and flushes the toilet. Frightened
she reaches for the door. She opens it revealing MICHAEL or JAKE standing there, just as there is a flash of lightning. The HOT BLONDE begins to scream, which is covered by a loud clap of thunder. He then grabs her by putting his hand over her mouth, man handling her, he quickly slams her head into the sink, breaking her neck like a rag doll. CUT TO: (EXT.) (X) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM: The YOUNG MAN leaning over still pumping his gas, he begins getting impatient from it taking so long, not really looking or focusing on anything. MICHAEL or JAKE catches the YOUNG MANS attention walking away as if he wasn’t paying attention to the YOUNG MAN. The YOUNG MAN for some reason put his foot in his mouth. Getting the big guys attention! YOUNG MAN Hey Bub! Halloween is over Bro. Aren’t you also a little big? To be playing dress up anyway! MICHAEL or JAKE then turns and slowly begins approaching the YOUNG MAN, right as MICHAEL or JAKE reach the front of the vehicle he stops, just silently lurking, over the YOUNG MAN in plain sight. YOUNG MAN These damn Hummers take forever to fill up! Don't they? The pump then clicks indicating the HUMMER is finally full as the YOUNG MAN now stands there awkwardly as his cocky demeanor has completely changed. (for some reason) The YOUNG MAN then removes the nozzle from the HUMMER as MICHAEL or JAKE begins approaching him. The YOUNG MAN with the nozzle still in his hand puts his hands up, like he is being held up, and begins speaking. YOUND MAN Hey man! I'm sorry! I was just kidd. (kidding) The YOUNG MAN gets cut off before he can get the last word of dialogue out. MICHAEL or JAKE quickly grabs the nozzle and violently shoves it into the YOUNG MAN's eye socket, hard enough for it to stay on its own. MICHAEL or JAKE then squeezes the nozzle, setting it in place allowing it to continue pumping. P.O.V. of a GROUND VIEW in between the HUMMER and the pumps as the YOUNG MAN's body falls in the shot facing the camera with the nozzle in his eye socket, with gas pumping out his mouth/eye socket/ or nose. The shot then pans up to the pump as the meter continue to run. CUT TO: SCENE #13: CUSTOMER SERVICE (EXT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM: P.O.V. from inside a MASK across the street from the gas station witnessing what just happened with the sound of heavy breathing and rain coming down, watching the other walking out of view to the LEFT SIDE of the SHOT. Once he is out of view the CLERK then rushes out of the gas station terrified, rushing over to the YOUNG MAN, and apparently stopping the gas from pumping. The CLERK then rushes back towards the entrance. CUT TO: (INT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM: The CLERK, terrified at what he just saw rushes inside. He quickly runs behind the counter, and grabs the phone to dial 911, as he dials the number, he sits down behind the counter with his back up against it. CLERK Oh my GOD! Help me Please! I need to report a murder! Please Hurry! FEMALE DISPATCHER (V.O) Relax take a breath! What's your location? CLERK I'm at the Fill’er Up station on route 31, there is a dead body out front. I also let someone use the restroom outside that never came back. So I think there might be two people dead! Holy Shit! Hurry! As the FEMALE DISPATCHER starts her next dialogue, the buzzer letting the CLERK know, there is a CUSTOMER rings. The CLERK realizes someone has entered the gas station. He slowly pokes his head over the counter. FEMALE DISPATCHER (V.O) I need you to remain calm, I'll radio you some help! Someone will be there within 10 minutes! CLERKS P.O.V, you see MICHAEL or JAKE just standing inside the door, slowly scanning turning his head. CUT TO: :confused: Last edited by H3orH3D_Script4U; 02-21-2013 at 11:33 PM. |
#22
|
||||
|
||||
(INT.) HADDONFIELD - 911 DISPATCH OFFICES:
Showing the DISPATCHER you begin to HEAR the scary situation on the other end of the line, unfolding. CLERK (V.O) Oh my GOD! He's back! What do? I do! As the DISPATCHER begins her dialogue you begin to HEAR what sounds like the CLERK being brutally beaten with the PHONE. FEMALE DISPATCHER (worried) Do you have anything? To defend yourself with! You have all the authority to use lethal force. In Self Defense! CLERK (V.O) NO! Don't! Please! Stop! NO! The FEMALE DISPATCHER then horrified at gory SOUND of the CLERK being brutally beaten and pleading for his life, she decides to RADIO out the situation. FEMALE DISPATCHER (radio) I have a CLERK being attacked at the Fill'er Up station on route 31. He said there is one person already dead and possibly another. I need someone respond immediately. CUT TO: (INT.) (X) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM: CLERKS P.O.V. looking up at MICHAEL or JAKE as he tosses the bloody PHONE aside. SHERRIFF BRACKETT responds to the FEMALE DISPATCHER's radio plea. SHERRIFF BRACKETT (V.O) I need as many units to respond on this one. It's JAKE, I'm 10 minutes away. We can't let the son of a bitch get away. Get there NOW! It then shows a quick shot of the CLERK still alive, but covered in blood, missing some teeth, and the floor all around him splattered with blood. CLERKS P.O.V. as he's shaking and very weak, he reaches under the counter and pulls out a SHOTGUN and slowly lifts it aiming it at MICHAEL or JAKE, like he barely has the strength to lift the GUN, and begins to say. CLERK DIE! As the CLERK says DIE, with the barrel of the shotgun pointed up at MICHAEL or JAKE, MICHAEL or JAKE arrogantly cocks his head. Then with a QUICK CAMERA ACTION grabs the GUN and flips it around shoving the barrel into the CLERKS HEAD, that goes into his skull. (he can pull the trigger or not.) After the MURDER it shows MICHAEL or JAKES legs walking back towards the door. Switching to a shot focused on the CLERKS face, now dead you HEAR the heavy FOOTSTEPS as MICHAEL or JAKE head towards the door slowly, with the sound of the FEMALE DISPATCHER on the phone (V.O. improvising), and then the SOUND of the BUZZER as he exits. As the shot remains on the deceased CLERK. FADE to BLACK about 3 or 4 seconds after the buzzer sounds indicating MICHAEL or JAKE left. FADE OUT: SCENE #14 MICHAEL'S ALIVE FADE IN: (EXT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM: It comes out of the black screen as if some time has passed, with the CAMERA set up across the street, that shows an OFFICER taping off the gruesome scene, with 3 or 4 POLICE CARS and their lights flashing, parked in front of the gas station. CUT TO: (INT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM: P.O.V. from the DEAD CLERK, looking towards where MICHAEL or JAKE stood killing him, and in their place SHERRIFF BRACKETT's standing and is becoming increasingly agitated with the rising body count. SHERRIFF BRACKETT The GOD damn son of a bitch is worse than his brother! Fucking nut job runs in that shitty bloodline, that's for sure. Michael took my daughter! Well I'm taking the cock suckers, Brother! SHERRIFF BRACKETT then flings a small shelf off the counter in frustration that flies out into the store. The STORE MANAGER arrives in a pajama get up, and enters the building. Seeing the SHERRIFF's outburst. SHERRIFF BRACKETT Sorry about that! We'll just pretend like that happened earlier. It's been a rough couple of days! The STORE MANAGER ignores SHERRIFF BRACKETT at first, and rushes over to see the CLERKS body. The STORE MANAGER places his hand on his forehead in shock. STORE MANAGER What am I going to tell his mother? He was such a good kid. SHERRIFF BRACKETT Don't you worry about that, we'll take care of letting her know! STORE MANAGER Yeah! She needs to know before the news station picks up on it. I'm sure they're on their way, already. I knew I shouldn’t have let the kid, work the late shift. He wanted to pull a double, so he could have some extra money for some damn video game. SHERRIFF BRACKETT puts his arm on the STORE MANAGER. SHERRIFF BRACKETT Stop beating yourself, up! It's not your fault. Let's take a look at those surveillance tapes, just to make sure, and get a print out of this son of a bitch. They head into a back room walking out of the scene. CUT TO: (INT.) HADDONFIELD - GAS STATION - BACK ROOM - NIGHT - THUNDERSTORM: As they walk in the back room the STORE MANAGER pulls up a chair in front of a COMPUTER SCREEN. SHERRIFF BRACKETT I'm going to have to admit, I'm getting tired of watching these damn videos. It's the second God damn one tonight. They begin watching the screen as MICHAEL or JAKE walk into VIEW of the pumps just before killing the YOUNG MAN. Something catches SHERRIFF BRACKETTS attention. SHERRIFF BRACKETT What's that? STORE MANAGER What’s what? SHERRIFF BRACKETT That right there! In the upper left of the screen. Can you isolate that? And then zoom in? STORE MANAGER Sure can! SHERRIFF BRACKETT It's kind of funny! This gas station has a high tech computer surveillance system, but you still got a damn outhouse! As the MANAGER ZOOMS IN on the image, it becomes clear to SHERRIFF BRACKETT, that there is more than one killer, as it shows two MASKED MEN in the same shot. Last edited by H3orH3D_Script4U; 02-21-2013 at 11:33 PM. |
#23
|
||||
|
||||
SHERRIFF BRACKETT
Oh my GOD! MICHAEL IS ALIVE! Print that image, and give it to my guys. So they can give it to the news reporter. So the public can also know what's happening. Thinking about it! Go ahead and get me one too. Memory is getting bad with my old age. Before SHERRIFF BRACKETT begins to exit he pats the STORE MANAGER on the shoulder, who is still sitting at the COMPUTER SCREEN, who hands him the print outs. STORE MANAGER Here you go! SHERRIFF BRACKETT Thanks man! Sorry about the kid. SHERRIFF BRACKETT turns to leave the room, but stops and talks DEPUTY4, just as he walks in. DEPUTY4 What is it Sherriff? SHERRIFF BRACKETT hands DEPUTY4 one of the print outs, while keeping one safely in view, to himself! SHERRIFF BRACKETT I want you to give this to the news reporters, and have them retract their story about Michael's death. DEPUTY4 What? You saying Michael's Alive? SHERRIFF BRACKETT Unfortunately yes! Then tell them, that there are not just one, but there are two of them bastards to worry about. Can you do that? DEPUTY4 If that's what you think is best. SHERRIFF BRACKETT I want everyone in this town to be on edge, and for them to report anything what so ever. Tell them hell, if they break a nail, call it in! DEPUTY4 You got it! I've never seen you like this! SHERRIFF BRACKETT I'm just tired and irritated, should be in a nice warm bed right now. But these two assholes have other things in mind. I'm going to head out of here, before I waste anymore time. DEPUTY4 Alright! You should grab you some coffee, Sherriff! I got a feeling that it's going to be a long night. The scene begins to FADE as DEPUTY4 speaks his last line. FADE OUT: SCENE #15 SHOULD'VE LISTENED FADE IN: (INT.) HADDONFIELD - SHERRIFFS VEHICLE - PATROLLING - ALLEY - RAIN STOPS: SHERRIFF BRACKETT pulls over in a darkened alley and begins looking at a picture of ANNIE that is in his wallet, and then the print out of MICHAEL. SHERRIFF BRACKETT I'll get the son of a bitch. Annie! I promise! The rain stops. He tosses the picture to the passenger seat, YAWNS and grabs his CELL PHONE and begins dialing. SHERRIFF BRACKETT About time that rain stopped. SHERRIFF BRACKETT calls DEPUTY SCHLAGEL at the hospital. SHERRIFF BRACKETT Hey! It's Sherriff. I was just calling to see how it's going over there and how Laurie's doing. DEPUTY SCHLAGEL (V.O) Things are good and quite. I don't know if Laurie is medicated or what. She's been asleep the whole time that we've been here. She has no idea what's happening. CUT TO: (EXT.) HADDONFIELD - SHERRIFF'S VEHICLE - PARKED - ALLEY - CAR RUNNING - RAIN JUST STOPPED: P.O.V VIEW from INSIDE A MASK about 20 feet or so behind SHERRIFF BRACKETTS vehicle, that's parked on the right side of the very dark alley, showing a GARAGE on the left of the ALLEY, 50 yards up with its GARAGE DOOR UP, with the light on inside and MUSIC playing loudly, you also HEAR the heavy breathing again from within the MASK. The Sherriff continues his phone conversation. SHERRIFF BRACKETT (V.O) Good! Now if she does wake up. I don't want you to say anything about this, or what is going on. I want to be the one that breaks the news that Michael is still alive. DEPUTY SCHLAGEL (V.O) Whoa! Whoa! What did I miss? Michael's ALIVE? SHERRIFF BRACKETT (V.O) I just got done watching another Video! It had both of them bastards in the same shot. So yeah! The boogeyman is back! The P.O.V then begins slowly getting closer to the SHERRIFF's vehicle as the brake lights, light up. DEPUTY SCHLAGEL (V.O) (exhaling, heavily) SHERRIFF BRACKETT (V.O) Hey I'm going to get off here. Remember, if Laurie comes too, don't say anything to her. I'm going to patrol a few back alleys and then make my way over there. I want to be the one to talk to her about everything. DEPUTY SCHLAGEL (V.O) Sherriff you're repeating yourself, I think you need a nap! I guess I'll see you in a few. See you Sherriff! As the P.O.V. reaches the back of the vehicle, the conversation ends. You HEAR the beep of the PHONE, SHERRIFF BRACKETT hangs up the PHONE, pulls away heading towards the GARAGE, up the alley. Last edited by H3orH3D_Script4U; 02-21-2013 at 11:34 PM. |
#24
|
||||
|
||||
(INT.) HADDONFIELD - 2 MAN PARTY GARAGE - ALLEY -
NIGHT - RAIN JUST STOPPED - GARAGE DOOR OPENED: It opens with music playing loudly, in a Smokey garage with adult female and black light posters on the walls. You HEAR the bubbling of a WATER BONG as TEENAGER1, lifts his head and exhales a big plume of smoke, with a smile on his face, sitting on a couch that's located in the middle of the garage, with its back turned from the alley and the opened garage door, with a circular table in front of it. TEENAGER2 sees SHERRIFF BRACKETT pull up outside. TEENAGER2 quietly trying to get TEENAGER1's attention. TEENAGER2 PSS! PSSSSSS! It works; TEENAGER1 turns his head after another big hit from the BONG, he sees SHERRIFF BRACKETT's car, he coughs it out shocked as smoke goes everywhere. TEENAGER1 sits the BONG on the floor behind the front of the couch, by its edge, and then jumps to his feet. The TEENAGERS face SHERRIFF BRACKETT's car. Who, rolls down his window, and takes a whiff. SHERRIFF BRACKETT Smells like a good time boys! TEENAGER2 then casually slides the bong more behind the couch, with his foot. He looks around, like did anyone see that! TEENAGER1 I don't know what you’re talking about, officer! SHERRIFF BRACKETT Well that's the least of your worries boys! SHERRIFF BRACKETT holds the printout picture up. SHERRIFF BRACKETT Have seen this person anytime at all within the last 24 hours? The TEENAGERS look at each other, and answer together. TEENAGER1 and 2 NO! SHERRIFF BRACKETT I didn’t think so! I would have probably been cleaning up your dead bodies, if you did! Well if you do, you know who to call right? That pot didn’t make you forget the number, to 911? Did it? The TEENAGERS again look at each other and answer at the same time, after an uncomfortable pause. TEENAGER1 and 2 NO! SHERRIFF BRACKETT shakes his head and snickers. SHERRIFF BRACKETT You two have to look at each other for approval to everything you do. I don't think I want to know what else you can't do without each other. Just saying 2 guys alone in a garage, one in the morning. Don't look so good! Ahhh! I'm just giving you two a hard time. But if you do see him, my best advice, is to run the other direction. TEENAGER1 and 2 Alight officer! After answering at the same time again, the TEENAGERS look at each other and shake their heads. SHERRIFF BRACKETT You two definitely spend too much time together! CUT TO: (EXT.) HADDONFIELD - 2 MAN PARTY GARAGE - ALLEY - NIGHT - RAIN JUST STOPPED - GARAGE DOOR OPENED: P.O.V. inside the mask from behind SHERRIFF BRACKETT's VEHICLE, again hearing the heavy breathing. SHERRIFF BRACKETT I'm out of here boys. Nice talking to you. And oh yeah! If I was you, I would probably shut that door and head in the house. Take it easy on the reefer boys! SHERRIFF BRACKETT pulls away. CUT TO: (INT.) (X) HADDONFIELD - 2 MAN PARTY GARAGE - ALLEY - NIGHT - RAIN JUST STOPPED - GARAGE DOOR OPENED: Now with the TEENAGERS back inside the garage, as they don't take the SHERRIFF's advice. TEENAGER1 bends down grabs the BONG from its hiding spot. TEENAGER1 flops on the sofa, with his back turned from the open door, he drags the circular table closer to him. TEENAGER2 flips the light switch flipping off the regular light and flips on a BLACK LIGHT. TEENAGER2 Who needs to shut the door? When you're protected by the light. Don't go into the light, my little friend! TEENAGER1 takes a hit from the BONG, and holds it in. TEENAGER1 You know? maybe this stuff, Isn’t all that good for us. With the shit, that comes out of your mouth, (coughs) kind of makes me wonder. TEENAGER2 then begins playing with the radio station changing it, also turning his back, to the open door. TEENAGER2 Damn pigs! Always trying to be haters, and ruin a good time. TEENAGER1 hits the bong as he holds it in and snickers. TEENAGER1 Yeah man! It's medical, I swear! TEENAGER2 finally settles on a station that begins playing some kind of song. TEENAGER1 takes another big hit and extra suck of air, holding it in. TEENAGER2 turns and you see the instant change to soberness and fear in his face. As he sees MICHAEL or JAKE standing in the black light, behind TEENAGER1 who is still holding the hit in oblivious. TEENAGER2 It's Him! TEENAGER1 trying to talk and still hold the hit in. TEENAGER1 It's Who man? It's WHH-- TEENAGER1 just as his lips pucker saying WHO, before he can finish. MICHAEL or JAKE grabs the back of his head and slams it onto the FLOURESCENT BONG on the table, that goes in his mouth and up into his brain. TEENAGER2 freaks out and begins running towards the door, that's next to the radio that leads into the back yard. MICHAEL or JAKE then grabs something heavy, and with a stiff arm, throws it into the radio, causing a FAKE RECORD SKIP SOUND and then goes into THE MUSIC. (YOU KNOW WHAT MUSIC, he must not have liked the music) TEENAGER2 stops in his tracks as the RADIO explodes, but he quickly continues on, opening the door and exiting the garage. MICHAEL or JAKE slowly turns the other way and walks out towards the alley. It then PANS down as the big guy walks out, showing TEENAGER1's head on the table, with the bong in his mouth going into his brain, with smoke coming out his nostrils. FADE OUT: SCENE #16 LAURIE'S WORST NIGHTMARE Last edited by H3orH3D_Script4U; 02-21-2013 at 11:34 PM. |
#25
|
||||
|
||||
After reading Jacob's attack on his wife, I have been pondering the concept of giving Michael a brother all day. It is extremely high risk, and only somewhat high reward. It opens a new chapter that I think has to resolve itself in THIS script, since he does not have a brother, nor is one mentioned, in subsequent films. I will read on to see if this is just a "gimmick" (ala "Jason" in Friday the 13th V) or it plays heavily in the story.
|
#26
|
||||
|
||||
ZOMBIE touched on LAURIE'S own mental ISSUES quite abit which will come into play with JAKE, also in 4 DR. LOOMIS is still alive, so that also has to be resolved, which I try my best. I like where it goes in the end, personally because it would set up to 4 being able to be made with almost the exact story. So it would fit with the plot.
All together this is about an 1hr. 40 min. to a 1hr 50 min. read average. you haven't made it to the part yet but That's JAKES mother. Since they were talking 3D for it, I kind of wanted to make it fun, but also attempted to make it appealing to the older fans, which I am now unfortunetly considered one of those. Last edited by H3orH3D_Script4U; 02-21-2013 at 11:01 AM. |
#27
|
||||
|
||||
SCENE #16 LAURIE'S WORST NIGHTMARE
FADE IN: (INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL - LAURIE'S ROOM - NIGHT - BEGINNING TO STORM: It begins with a black screen and a LOUD CRACK of THUNDER while still black, followed with the SOUND of a NEWS ALERT beginning broadcast. It then FADES IN showing the TV in a dark hospital room that is suddenly lit up by a bright flash of lightning and another LOUD CRACK of THUNDER, while the NEWS REPORT continues playing. The CAMERA then begins to PAN towards the subject in the bed at a pace that doesn’t show them until the last line of the NEWS REPORT. NEWS REPORTER We interrupt this program to bring you an important news alert. We have been informed by our local authorities that former local resident and known psychopath, Michael Myers who was believed to have been killed, late last night. Is still alive and on the loose. We have also been informed, that another local resident named Jacob Myers Logan is feared to be acting as a copycat to Michael. The two are believed to have murdered at least 5 people already. We have also received this image from local authorities, and that if you are to see either of these two men, you are ordered to contact the police immediately and to not take actions into your own hands. These two are considered extremely dangerous individuals. If we receive any further information on this growing situation, we will bring them to you, as soon as they come in. LAURIE laying in her bed in the fetal position, wearing a plain white cotton outfit with her back turned from the door, showing her emotionless face. She then in a zombie like state gets out of her bed and begins lumbering towards the door. CUT TO: (INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL - HALLWAY - VERY EMPTY - NIGHT - STORMING: LAURIE lumbers out, into a deserted hallway, 4 or 5 steps down the hall as the SHOT FOLLOWS her. Suddenly DEPUTY ANDREWS wraps his arms gently around LAURIE, who freaks out and begins struggling trying to, get away. LAURIE NO! NO! Let me go! I need to get out of here! Let Me Go! DEPUTY ANDREWS LAURIE stop! We are here to protect you, there is nothing to worry about. I promise you! We are right here! DEPUTY ANDREWS finishes his last line, and SHERRIFF BRACKETT comes rushing in, who takes over the DEPUTY's position, wrapping his arms around LAURIE, escorting her towards her room, while scolding DEPUTY ANDREWS. LAURIE He's coming for me! SHERRIFF BRACKETT I thought I said not to say anything to her, until I got here! SHERRIFF BRACKETT and LAURIE enter her room. DEPUTY SCHLAGEL She saw it on the news Sherriff! There was nothing we could do. SHERRIFF BRACKETT then returns out of the room without LAURIE, greeted by DEPUTY SCHLAGEL. SHERRIFF BRACKETT Yeah! I guess news travels fast. UMMM! Where's DEPUTY BOWERS? I didn’t see him. DEPUTY SCHLAGEL Last I seen or heard from him, was at the hospital. Watching the video of that woman’s murder. Why you ask Sherriff? SHERRIFF BRACKETT Damn it! Yeah, I sent him here after he reported BECKY's murder. Michael must have got him. Damn it! Shit! These sons of bitches are driving me crazy. We're spread so damn thin, as it is. DEPUTY SCHLAGEL Do you want me? To get ahold of DEPUTY BOWERS, wife? Sir! SHERRIFF BRACKETT No I don't! He might have got jammed up, in something else. DEPUTY SCHLAGEL You’re the boss! SHERRIFF BRACKETT Right now, I kind of wish I wasn’t! I'm going to go, talk to Laurie. SHERRIFF BRACKETT pats DEPUTY SCHLAGEL on the shoulder and heads into LAURIE's room. CUT TO: (INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL - LAURIE'S ROOM - DARK - NIGHT - STORMING: SHERRIFF BRACKETT enters LAURIE's room as she is sitting on the edge of her bed, facing the window. SHERRIFF BRACKETT pulls up a small chair sitting in her view, as she wipes a tear. LAURIE Is it really true? Michael's still alive! SHERRIFF BRACKETT Yes Laurie, it is! LAURIE It feels too much like a bad dream! SHERRIFF BRACKETT Well it's very real LAURIE. I also have some news that's going to shock you! LAURIE I don't think it can get much fucking worse! SHERRIFF BRACKETT Well Jacob Logan! The guy, that is imitating your brother. Laurie, he is also your brother! LAURIE NO! How is that possible? SHERRIFF BRACKETT Well Laurie, your father had an affair with this man’s mother, just before your father died. She hid it from everyone, for fear of the repercussions and the attention. LAURIE remains silent looking very worried. SHERRIFF BRACKETT It will be ok Laurie, you don't need to worry. There will be an officer here, the rest of the night. I just wanted to come see how you was doing. You should try to get some rest, the Deputy will come get you if anything happens. And Laurie or should I say Angel, I'm sorry for not telling you, that Michael was your brother, and hiding it for so long. Just thought it was best for you. I'm Sorry! LAURIE It's OK. I think I'm past that now! I'm sorry I couldn’t protect Annie!
__________________
First two lines that should come out of your mouth towards your lady, after a long day at work ! :eek: JK :p I ain't afraid of NO GHOST! OK, maybe just a little! |
#28
|
||||
|
||||
As LAURIE finishes her statement a call comes over
SHERRIFF BRACKETT's RADIO. FEMALE DISPATCHER (V.O) (radio) You out there? Sherriff Brackett! SHERRIFF BRACKETT (radio) Brackett here! What you need? FEMALE DISPATCHER (V.O) (radio) Sherriff I just received a call from a young man, that said he had talked to you, just moments before his friend was killed in his garage. He wanted me to tell you, that he was sorry they didn’t listen to you. Just thought you would want to know. SHERRIFF BRACKETT Damn it! Alright, thank you! SHERRIFF BRACKETT obviously beaten down some more looks at LAURIE who is curled up on her bed. SHERRIFF BRACKETT I'm going to get back out there, before anybody else dies. It will be alright, Laurie! Don't worry! I'll get the son of a bitch! LAURIE draws her knees to her chest, and sits up playing with the sheets, staring blankly into space, as SHERRIFF BRACKETT exits to the hallway. CUT TO: (INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL - HALLWAY - NIGHT - STORMING: SHERRIFF BRACKETT exits Laurie's room and sees DEPUTY SCHLAGEL and DEPUTY ANDREWS sitting and talking. SHERRIFF BRACKETT Hey, I only need one of you outside of her room! The two DEPUTIES stand to their feet. SHERRIFF BRACKETT I want one of you, to head out front to the cruiser, and then radio up if you see anything! And the other to get her out of here, if you see anything. OK? DEPUTY ANDREWS Why don't we just take her somewhere safe? Right now! SHERRIFF BRACKETT turns to walk away and responds. SHERRIFF BRACKETT I guess, just think of Laurie as bait! As long as Michael or Jake, knows where she is, We'll know where they're going! SHERRIFF BRACKETT heads down the hall, he sees a blonde female NURSE, with a pony tail approaching. SHERRIFF BRACKETT Are you Laurie’s nurse? NURSE Why, yes I am! SHERRIFF BRACKETT I would like you to give Laurie something, to help her get some sleep. If you would? She's been through a lot. I don't want her worrying all night! NURSE Sure Sherriff! Not a problem! Just give me a little bit. I have a few other things to take care of first. SHERRIFF BRACKETT Alright! That's fine, No hurry. SHERRIFF BRACKETT then exits down the hall. FADE OUT: SCENE #17 BROTHERLY LOVE FADE IN: (INT.) HADDONFIELD - SHERRIFF'S VEHICLE - ROAD ALONG SIDE WOODS/RIVER - NIGHT - STORMIMG: P.O.V. passenger seat looking up as SHERRIFF BRACKETT is driving with it silent, and just the SOUNDS of the wipers going back and forth and the rain coming down. SHERRIFF BRACKETT yawns, wipes some sleep from his eyes, again showing the ware from the long night. SHERRIFF BRACKETTS P.O.V. showing the long dark road ahead. Suddenly he has a vision of MICHAEL walking in front of the vehicle and turning, to face him. SHERRIFF BRACKETT stays his course as MICHAEL disappears, right before being hit, a hallucination. SHERRIFF BRACKETT Holy Shit!!! He shakes his head as if to say I'm awake now. CUT TO: (INT.) (X) HADDONFIELD - VEHICLE - PARKED - JUST BEFORE A BRIDGE - BESIDE WOODS - NIGHT - STORMING: VIEW from the back seat, as a young couple is meeting in the middle of the front seat, kissing passionately. HORNY GIRL You couldn’t (kiss) wait (kiss) to get (kiss) home, huh? (kiss) HORNY GUY Your too beautiful, couldn’t do it! It then shows a shot of each as they say their lines. HORNY GIRL (reveals breasts) Was it these? HORNY GUY Definitely! Oh, you’re going to get it! P.O.V. from the back seat as the HORNY GIRL topless climbs to the backseat, with just the sound of the heavy RAIN. P.O.V. from the passenger seat as the HORNY GUY puts his back against the driver side door, stretches his legs out, over the passenger seat and begins frantically trying to get his pants off. Out of nowhere behind him you see the body of a man as if he is just walking by, quickly followed by the busting of the glass with a butcher KNIFE going through the back of the HORNY GUYS head and out the front of his right eye, with the eye stuck to the tip of the butcher KNIFE, that dislodges from its socket towards the screen, that plops off as MICHAEL or JAKE retracts the KNIFE from the HORNY GUYS head. The HORNY GIRL begins screaming with blood splattered all over her chest. MICHAEL or JAKE as if he was just passing by continues walking, sparing the HORNY GIRLS life. CUT TO:
__________________
First two lines that should come out of your mouth towards your lady, after a long day at work ! :eek: JK :p I ain't afraid of NO GHOST! OK, maybe just a little! Last edited by H3orH3D_Script4U; 02-22-2013 at 06:50 PM. |
#29
|
||||
|
||||
(EXT.) HADDONFIELD - VEHICLE - SIDE OF THE ROAD -
JUST BEFORE BRIDGE - BESIDE WOODEN AREA - NIGHT - STORMING: MUSIC PLAYING (AGAIN YOU KNOW WHAT MUSIC) After the scene of what just happened. SLOW MOTION as MICHAEL or JAKE is walking away with the busted glass, as it is still hitting the ground. The girl screaming also starts in slow motion and picks up, as the shot also picks up with the glass as it rebounds off the road. MICHAEL or JAKE walks out of scene in regular speed as the HORNY GIRL continues to scream. HELICOPTER P.O.V. as MICHAEL or JAKE continues walking away towards the BRIDGE, that's high above a river. In the headlights of the parked vehicle. CUT TO: (EXT.) HADDONFIELD - BRIDGE - HIGH ABOVE RIVER - WOODEN AREA BOTH ENDS OF BRIDGE - NIGHT - STORMING - BROTHERLY LOVE: P.O.V. from the middle of the bridge as MICHAEL's head comes into the line of sight in SLOW MOTION over the bubble of the road in the middle of the bridge, as the MUSIC plays until his whole body is visible. P.O.V. from inside a MASK with the sound of breathing, appearing to be climbing a small grassy ditch and then steps onto a road showing this person’s feet as they do all those actions, which then turns towards the bridge and begins walking, it looks up and shows the image of MICHAEL or JAKE, who is shocked as he stops where he is on the bridge. P.O.V. ends with a flash of lightning. (The audience will have no clue who's who. But I will show just to make this easier to write.) MICHAEL already on the Bridge, cocks his head curiously and takes a large breath, that comes out of his mask, from the cold air. A side shot shows both as they look into each other’s souls for the first time. They both approach each other with bad intentions. MICHEAL coming from the right of the screen comes with a lumbering overhand stab attempt, which is blocked by JACOB's hand, where he remains holding MICHAEL's arm, right where he caught it, as JACOB then plunges his knife into MICHAEL's abdomen. In which MICHAEL reacts, by grabbing JACOB's arm, as he rips the knife from his body. Then as both are holding each other’s arms and knifes in place, MICHAEL head butts JACOB, knocking him on his back. CUT TO: (INT.) HADDONFIELD - SHERRIFF'S VEHICLE - PULLING UP TO BRIDGE - NEED BACK UP - NIGHT - STORMING: P.O.V. from backseat as SHERRIFF BRACKETT approaches the action on the bridge and sees the two. SHERRIFF BRACKETT Holy Shit!!! SHERRIFF BRACKETT then squints and shakes his head, as if he is seeing things. With the car now stopped. He grabs the RADIO, for backup. SHERRIFF BRACKETT (radio) It's Sherriff! I need back up! You're not going to believe this. I have both of them! We are on the Rivers Gate Bridge! I need everyone to respond, I mean everyone! NOW! He hits the police lights, grabs his gun, exiting the car. CUT TO: (EXT.) HADDONFIELD - BRIDGE - HIGH ABOVE RIVER - WOODEN AREA BOTH ENDS OF BRIDGE - NIGHT - STORMING - BROTHERLY LOVE 2: Picks up with the fight on the bridge, with SHERRIFF BRACKETT, now at the opposite end of the HORNY COUPLE. With JACOB still on the ground, from the head butt, and MICHAEL acting like a gentleman, letting JACOB get back to his feet, or so it seemed. with JACOB's left hand held high, as he is getting to his feet. MICHAEL sticks the BUTCHER KNIFE clean through the palm of JACOB's hand towards the screen (show close up), and drives JACOB back to the edge of the rail. As MICHAEL holds the knife still through JACOB's hand and JACOB's upper body over the rail. High above the river. SHERRIFF BRACKETT MICHAEL!!! MICHAEL slowly turns his head and looks at the SHERRIFF still maintaining control of JACOB. MICHAEL ominously turns his head back to the action and swiftly rips the knife out of JACOB's hand. Grabs JACOB's feet and flips him over the rail. P.O.V. inside the mask falling towards the river. MICHAEL gathers himself and looks towards the SHERRIFF. SHERRIFF BRACKETT MICHAEL? Stay where you are! MICHAEL cocks his head, breathing heavily as shown coming out the mask in the cold air, he takes a step towards SHERRIFF BRACKETT who is having none of that. SHERRIFF BRACKETT I said stay where you are! SHERRIFF BRACKETT wastes no time, he pulls the trigger knocking MICHAEL backwards towards the rail. He fires 3 more times knocking him back each time, upon the last shot, MICHAEL falls over the rail also. SHERRIFF BRACKETT runs over to the rail looking down, in time to see MICHAEL hit the water below. SHERRIFF BRACKETT near the rail breathes deeply. CUT TO::confused:
__________________
First two lines that should come out of your mouth towards your lady, after a long day at work ! :eek: JK :p I ain't afraid of NO GHOST! OK, maybe just a little! |
#30
|
||||
|
||||
(EXT.) HADDONFIELD - BRIDGE - AFTERMATH - NIGHT - :confused:
STORMING: HELICOPTER P.O.V. of the bridge showing the SHERRIFFS CAR with its lights flashing, with SHERRIFF BRACKETT in the headlights, in the middle of the BRIDGE, leaning on the rail, as DEPUTY SCHLAGEL and ANDREWS pull up behind the SHERRIFF's CAR. The two DEPUTIES jump out and rush over to the scene. The SHOT picks up on the bridge. DEPUTY SCHLAGEL Where'd they go Sherriff? SHERRIFF BRACKETT The EDGE! DEPUTY SCHLAGEL What? SHERRIFF BRACKETT Over the edge! They went over the edge! DEPUTY ANDREWS Well good! That means they're dead. DEPUTY SCHLAGEL Yeah! Nobody could have survived that fall, Sherriff! SHERRIFF BRACKETT You really think it killed them! I shot the son of a bitch and I don't think he's dead! You see what he survived, already! I won't believe it, until I see the bodies, and when we find them, we're burning the bastards! CUT TO: (INT.) HADDONFIELD - SHERRIFF'S VEHICLE - PARKED - EDGE OF BRIDGE - NIGHT - STORMING: P.O.V. from the passenger seat as SHERRIFF BRACKETT gets in his vehicle, and leaves the door open, grabbing his RADIO, as DEPUTY SCHLAGEL and DEPUTY ANDREWS loiter outside in the rain, close by. SHERRIFF BRACKETT (radio) All units stand down! I now need 2 or 3 boats in the water, just south of the Rivers Gate Bridge, as quick as possible. Hopefully we're just looking for bodies. They went over the rail and into the river. The SHERRIFF slams his door, rolls down the window and barks orders at DEPUTY SCHLAGEL and DEPUTY ANDREWS. SHERRIFF BRACKETT Hey! I want the two of you, to get down along the riverbank, and begin searching. Make sure you have your flashlights and your weapons, and if you come across either of their bodies. Put some extra bullets in them. DEPUTY SCHLAGEL Sherriff, what about Laurie? SHERRIFF BRACKETT She'll be fine, we know where they Are. We just need to find them! Get to it! The SHERRIFF starts his car, and pulls away. CUT TO: SCENE #18 NAP TIME (INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL - LAURIE'S ROOM - DARK - NIGHT - THUNDERSTORM: LAURIE's room as she is still sitting up in her bed, with her knees to her chest with her arms wrapped around her legs, with her slightly rocking back and forth, visibly worried. The NURSE then enters with a small cup of water and some pills in her hand. NURSE It's OK Laurie! There is nothing to worry about. The Sherriff wants you to get some sleep. I need you to take these pills, for me. LAURIE NO! I don't need any god damn pills, I've had plenty of sleep! NURSE Laurie I'm serious, there is nothing to worry about. I overheard on the Deputy’s radios, they got both of them, they already took the Deputies that was here, to the scene. The NURSE reaches out her hand with the pills. NURSE Come on LAURIE, take them! LAURIE No, I'm not Dammit ! NURSE I'm not asking you Laurie! If you don't take them, I'm coming back with two big guys, and I'm going to give you a shot, and then you won't wake up until tomorrow afternoon. So what's it going to be? LAURIE with a defiant look, glances up. the NURSE places the pills in LAURIE's hand, who throws them in her mouth. The NURSE hands her the cup of water. NURSE Now! I want to see you swallow, and take a drink. LAURIE complies! NURSE NOW! I want you to open your mouth and lift your tongue! The NURSE looks in LAURIE's mouth. Nurse NOW! Was that so hard? LAURIE! NOW! Get some sleep, everything will be fine. The NURSE then turns to exit the room and just before leaving as she shuts the door she quietly says. NURSE NUT JOB! LAURIE, still looking defiant, removes the PILLS from the top corner of her mouth and tosses them in the trash. LAURIE Everything won't be fine! The scene FADES OUT on LAURIE looking angry. FADE OUT:
__________________
First two lines that should come out of your mouth towards your lady, after a long day at work ! :eek: JK :p I ain't afraid of NO GHOST! OK, maybe just a little! |
|
|