#321
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Idol Challenge Entry
NE's excerpt came from John Hollingshead’s 1861 book Ragged London, a chapter appropriately entitled “The Back of Whitechapel.”
Whitechapel is an inner city district in London which, by the 1840s began to draw a reputation amongst London residents of being particularly impoverished and overcrowded. As Hollingshead decried in his book, it was the classic Dickensian London, filled with poverty, depravity and socioeconomic strife. And out of this vile, wretched womb was born one of the most infamous serial murderers of all time: Jack The Ripper. For those of you who are not familiar with Dear Ol’ Jack, he filled the Whitechapel Autumn of 1888 with sadistic terror: murdering at least five victims and suspected of slaughtering upwards to eleven. His crimes were heinous; The Ripper targeted prostitutes, mutilating his victims with everything from tearing open the abdomen, to removing the uterus, to severing a body from the throat to the spine, organs emptied and missing. And after this trail of violence, the Killer was never found, leading to urban legends and tales permeating throughout Whitechapel and London culture. Jack The Ripper alone has had significant influence on the horror genre. The man has been the subject of dozens of fictional and non-fictional pieces of literature, including Robert Bloch’s 1941 “Yours Truly, Jack the Ripper” and follow-up “A Toy for Juliette.” According to Wikipedia, “more than 200 works of non-fiction have been published which deal exclusively with the Jack the Ripper murders, making it one of the most written-about true-crime subjects of the past century.” Alan Moore’s From Hell graphic novel series (1991 – 1998) reimaged the Ripper’s tale, and this story was then adapted to film in 2001 by the Hughes Brothers. The vile act of his crimes (disembowelment, defilement, exsanguination) have been repeated throughout the horror genre, from gore sensationalist Hershel Gordon Lewis to modern directors Wes Craven and Rob Zombie in their studies of human violence and bodily desecration. But what really connects Whitechapel to the history of horror was the cultural and social upheaval that surrounded those 1888 murders. The Jack The Ripper case was one of the first instances of true criminal profiling. Physicians worked close with police to create a profile of the supposed killer which, of course, was published in the cheap penny papers that circulated the streets. Jack The Ripper’s crimes were the media’s first true foray into the world of sensationalized gore. While there had been murderers prior to 1888, this Autumn in Victorian England marked the revolution of print media that sparked a cultural sensation. His crimes were known as “The Whitechapel Murders,” a title created by the police and spread throughout the districts. Whitechapel was the first city to truly embrace the voyeuristic side of fear, that side that shudders at the crime, but desires to read more about its atrocities. In a sense, this is the birth of the horror audience: A whole city captivated and intrigued by the abominable acts of one of their own. What also makes the city of Whitechapel so iconic and culpable in these crimes was the advent of The Killer’s Note and the public reaction. Through the killer’s murders, both the police and various newspapers received letters, some of them claiming to be from the Killer himself. Some of them proven to be fakes. Regardless, the entire community, for better or for worse, was involved: Letters were published and greedily read in detail. In conjunction with the publicized criminal profile, the letters created a realistic Evil ready for consumption by the general public. Whitechapel was home of one of the first instances of pure true crime horror lust. And so horror perpetuates. In a city wrought with poverty and strife, stories of Jack The Ripper were, in a sense, escapism from the dull lives of the people. People began to recognize true horror as a macabre form of entertainment. In a sense, the horror audience was born and a precedent was set for the dark reverence of the mysterious serial killer. With this pure media frenzy and public enthusiasm, Jack The Ripper and Whitechapel created a pure legend that would influence the archetype of all future serial killers and the portrayal thereof. |
#322
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Excellent essay, Chrono. Well done.
But my excerpt was cobbled together from several different sources. So there. |
#323
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Thanks! :D
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You're right. It was Hollingshead who stood out the most, though. Reminded me a LOT of Blake's criticism of London (I'm such a Blake dork). I kept thinking: I wander through each chartered street, Near where the chartered Thames does flow, And mark in every face I meet, Marks of weakness, marks of woe... |
#324
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Always have to get that last word... :p
You're right. It was Hollingshead who stood out the most, though. Reminded me a LOT of Blake's criticism of London (I'm such a Blake dork). I kept thinking: I wander through each chartered street, Near where the chartered Thames does flow, And mark in every face I meet, Marks of weakness, marks of woe...[/QUOTE] One of his most intense, powerful works. Definitely apt when used to describe Whitechapel at the time. You should check out www.casebook.org. It contains transcripts of Daily Telegraph articles and everything.
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Horror and Bizarro novelist and editor |
#325
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Overall, I think it was the best test for the challengers of HDC Idol so far. Great works by both the judges and the contestants!:)
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@Letterboxd |
#326
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This is Alky's answer to Austin's task...
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I would like to request all Judges to send me their grades for the Goblins. Then we move on to the FINAL TEST of the Preliminary Round, which will be for the Elves.
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#327
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Alky- this is an interesting scenario, but it lacks one thing every dramatic exercise MUST have- CONFLICT.
The family accepts this being's story at face value? You allude to some "questions" but it needs to be stated in clearer terms what the central conflict is. |
#328
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I'm with Neverending. It lacks dynamism.
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Horror and Bizarro novelist and editor |
#329
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I agree with neverending and Doc.
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#330
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Chrono, very well done.
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