Elvis_Christ |
04-13-2006 04:02 AM |
Quote:
Originally posted by urgeok
i still liked lost highway but it didnt have the punch these other films have ... at some point he just went from weird - to forced weird.
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Yeh totally, those flicks did have punch. They were quite reinventive of genre conventions. Eraserhead took the weirder noir films like Samuel Fuller's Shock Corridor and crossed it with trashy 50/60's sci-fi and Glen or Glenda "am I this fucked up" paranoia. He explored the noir shit further with Blue Velvet and made the menacing bad guys meaner by showing the darker/deviant side of these characters that was only hinted at in their original incarnations.
Wild at Heart is perhaps his most influential work because it was the blue print of the 90s reinvention of the road movie. You can see its mark left in The Doom Generation (definatley pushed to extremes in subject matter but you can see the influence) and comparing it to Natural Born Killers is just a given especially if you read the original script.
I think somehow along the way he forgot the subtlety of his weird spin on charaterisation and cinematography that made these three films so good.
Shit he's still more interesting than 99.9% of the asshole hacks working in mainstream Hollywood cinema. Mr Lynch will more than likely kick our asses with an amazing flick sooner or later cause I'm sure he's got a bunch of tricks up his sleeve. Hopefully he hasn't joined the graveyard of director's that used to be amazing but became infected with the auteur complex and bludgeon their work with self indulgence.
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