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Double Indemnity (1944). This is simply one of the best film noirs ever produced, and to think that it took eight years of writing and rewriting to get Hollywood's approval gives one a start that this film may have never been. Of course, all of that work eventually culminated into this magnificent piece of work. The acting was simply astounding, with chemistry that was palpable not only between the hopeful romantics, but also between worker and boss. Even the body language seemed to emote that larger than life feel that screamed in pain at the thought that this flick will at some point have to come to an end. Every scene was a delight to watch, and that dialog between Stanwych and MacMurray was sublime. This story was simple and perfect, and the would-be flaw in the story turns out to instead have been a subtle element for character development and not a flaw at all. The direction and camera work and lighting were all perfect, with the end result a film that might just be the tops for the era. Ashe.
derek
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Fate is my mistress, mother of the cruel abomination that is hope.
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