SCENE #2: TRIP TO THE MORGUE
FADE IN:
(INT.) AMBULANCE - NIGHT - INTERSTATE - BEGINS STORMING:
P.O.V. over MICHAEL's body as he lays in the BODY BAG,
that's zipped just below his chin, as he rocks back and
forth, from the movement of the AMBULANCE.
Suddenly lightning flashes, lightning up his face. Which
is quickly followed by a LOUD CLAP of THUNDER and then
the SOUND of HEAVY RAIN beginning to come down.
The CAMERA PANS to the front of the ambulance, which
seems to be an older ambulance with the back wide open
to the driver (EMT1) and passenger (EMT2).
EMT1 FLIPS on the WIPERS, SQUINTS and LEANS FORWARD as
he looks out the window, as lightning strikes again.
EMT1
Guess it was too good to last, HUH?
The storm being over and all?
EMT2
Yeah! Watching the news earlier. It
said, that it's supposed to be off
and on like this, for the next
couple of days.
EMT2 looks over his shoulder and back at MICHAEL.
EMT2 (cont'd)
Man he's freaking me out. I got to
zip up, that bag!
EMT2 gets out of his seat and approaches MICHAEL's body.
While EMT1, glances back.
EMT1
I know what you're going back there
to play with, you homo! What are you
scared? He isn't going anywhere.
EMT2
Yeah! But isn't he supposed to be
superhuman, or something like that.
EMT1
Those are just stories. He's just
like you and me. He's as dead, as
dead can be. Where he's at there is
noooo coming back!
EMT2 begins struggling with the zipper.
EMT2
Well, that doesn't change a thing!
I'm still zipping the freak up.
EMT1
What? You don't want to give BECKY
a scare?
EMT2
I'm sure, she'll be frightened
enough, with all the bodies, that
he already has piled up down there.
As EMT2 just finishes his statement, his finger slips
off the zipper as he was still struggling, causing him
a small cut.
EMT2
Damn it!
P.O.V. from inside the BODY BAG.
EMT2 gets back to the zipper grunting frustrated, over
top of MICHAEL. The zipper releases, as the screen FADES
TO BLACK, along with the bag closing.
FADE OUT:
FADE IN:
(INT.) HADDONFIELD MORGUE - AUTOPSY ROOM - DIMLY LIT -
NIGHT:
P.O.V. from inside a BODY BAG.
The scene is revealed as BECKY unzips the BAG, and she
leans over and peers in, as you HEAR the MUSIC through
her iPod, as her EARBUDS are draped around her neck.
BECKY
Awwwww! You're up next!
BECKY then leans out of P.O.V. of the unknown subject.
CUT TO:
(EXT.) HADDONFIELD MORGUE - THUNDERSTORM - NIGHT:
P.O.V. towards the front of the morgue, as Michael's
body arrives in the ambulance. As the two EMT's jump
out, covering their heads with their jackets. They rush
to the back of the ambulance, extracting Michael and
rush the body up the ramp and into the building.
CUT TO:
SCENE #3: MICHAEL'S ARRIVAL
(INT.) HADDONFIELD MORGUE - HALLWAY - DIMLY LIT - NIGHT:
EMT1 enters the main entrance pushing the gurney, as
EMT2 holds the door open for him.
CLOSE UP - TRACKING SHOT 4 or 5 seconds, showing the
front wheel of the GURNEY as it is spinning down the
hall, with the water beading off and onto the floor.
Then the exact same shot of MICHAEL's MASK from the
side as it vibrates from the ride.
CUT TO:
(INT.) HADDONFIELD MORGUE - AUTOPSY ROOM - DIMLY LIT -
NIGHT:
P.O.V. of the DOUBLE DOOR entrance as they abruptly get
slammed open with the GURNEY, followed by the EMT's.
This startles BECKY!
BECKY
Oh GOD! What did I say about
knocking? Shit!
BECKY then puts her SCALPEL down, from a NUDE ANNIE
BRACKETT, that she just began working on, as she then
stands to her feet.
EMT1
Satan has arrived!
BECKY
So that's him? Huh! That's the
dickhead responsible for all this
work I've had all God damn day?
EMT2
That's him! Where do you want him?
BECKY
Just, put him over there. That's
fine! Is that a banana in his pocket?
The EMT's turn to exit the room.
EMT1
NO it's a KNIFE! Well guess we'll
see you tomorrow. Have fun!
EMT1 then begins waving his arms and twiddling his
fingers in a teasing manner.
EMT1 (cont'd)
Woooo, Wooooo, Woooooo!
EMT1 then exits the room behind EMT2, who is laughing.
BECKY shouts playfully.
BECKY
Get out of here, you goofballs. I
meant to say NO THANK YOU, YOU CAN
TAKE HIM BACK NOW!
BECKY glances at MICHAEL's body. EMT1 plops his head
back through the DOUBLE DOORS suddenly.
EMT1
Woooooo, Woooooo!
EMT1 immediately plops back out, as his line fades down
the hall with him. BECKY looks down shaking her head,
snickering as she approaches MICHAEL's BODY BAG, she pats
it two times with her right hand.
BECKY
Well, I got news for you big guy.
She's my last victim of the night.
You're just going to have to rot,
A llliiiiiittle bit longer.
BECKY returns to her chair at the autopsy table, placing
her EARBUDS back in her ears, as she returns to work on
ANNIE's BODY under the examining light, and begins
humming to the music.
The CAMERA then starts ZOOMING in on MICHAEL's BAG,
behind BECKY, who is in the examining light to the right
of the screen, as she becomes blurry and is eventually
ZOOMED OUT OF THE SHOT.
CUT TO:
Begins with the same shot of the BODY BAG that was
ZOOMED IN and then slowly begins ZOOMING OUT. Showing
that BECKY is gone and that ANNIE's BODY is all sewed up.
(as if some time has passed) You then HEAR BECKY'S heels,
clicking as she walks. (never showing her) Suddenly the
light is switched off, with the sound of a click, then a
BZZZZZ as the light flickers out.
CUT TO: :confused: