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#111
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Lovely Hazel...
R.I.P. I am at a loss for words...:( April 17, 2008 Hazel Court, an English actress who co-starred with the likes of Boris Karloff and Vincent Price in popular horror movies of the 1950s and '60s, has died. She was 82. Court died early Tuesday of a heart attack at her home near Lake Tahoe, daughter Sally Walsh said Wednesday. While she had a substantial acting career both in England and on American TV, Court was perhaps best known for her work in such films as 1963's "The Raven." She co-starred with Price, Karloff and Peter Lorre in director Roger Corman's take on the classic Edgar Allan Poe poem. Corman directed her in five movies. Like other "scream queens" of the era, Court often relied on her cleavage and her ability to shriek in fear and die horrible deaths for her roles. "The Premature Burial," "The Masque of the Red Death," "The Curse of Frankenstein" and "Devil Girl from Mars" helped propel her to cult status and brought her fan mail even in her later years. "She'd probably get over 100 pieces of fan mail a month and she would reply to every single one," her daughter said. Court had finished an autobiography, "Hazel Court - Horror Queen," which will be published in Britain, Walsh said. The daughter of a professional cricket player, Court was born Feb. 10, 1926, in the English town of Sutton Coldfield. As a teenager, she was appearing in stage productions when she was spotted and signed by the J. Arthur Rank Organisation, which owned movie studios and theaters. She got her first movie bit part by the time she was 18 and went on to become a popular actress and pinup girl, her daughter said. "She was one of the great beauties of all time," Walsh said. "She was a redhead with really green eyes and almost ... the perfect face. She was on the cover of almost every magazine." Court co-starred with Patrick O'Neal in the 1957 British TV comedy series "Dick and the Duchess." In the late 1950s, she came to the United States to work on the TV show "Alfred Hitchcock Presents." Besides acting, Court was a commissioned sculptor and painter whose works appeared in public galleries. Court is survived by daughters Walsh and Courtney Taylor, son Jonathan Taylor and stepdaughters Anne Taylor Fleming and Avery Taylor.
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#112
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R.I.P. Sister Hazel
ain't too many old timers left......Christopher Lee.....thats all I can think of |
#113
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One of the great scream queens. RIP Hazel Court.
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#114
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That sucks. She was incredible in Masque of the Red Death.
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Horror and Bizarro novelist and editor |
#115
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RIP Ollie Johnston. You may not know who he is so here's his IMDB page. http://www.imdb.com/name/nm0426508/ He was 95.
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#116
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Wow- he worked on a lot of classic animated films!
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#117
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a ton of my favourites. Alice in Wonderland, Jungle Book, Aristo-cats. Peter Pan especially.
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#118
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John Phillip Law, the strikingly handsome 1960s movie actor who portrayed an angel in the futuristic "Barbarella" and a lovesick Russian seaman in "The Russians Are Coming, The Russians Are Coming," has died May 13 in Los Angeles.
He was 70. ![]() With vivid eyes, blond hair and imposing physique, Law was much in demand by filmmakers in the late 1960s and early '70s. He gained wide notice in 1966 with Alan Arkin, Carl Reiner and Theo Bikel in "The Russians Are Coming, The Russians Are Coming," Norman Jewison's Cold War comedy in which a Soviet submarine runs aground off a peaceful New England island town. He played the sweet Russian youth who falls in love with a local American girl in the film, which was nominated for four Oscars including best picture, actor (Arkin) and director. French director Roger Vadim put Law's looks to good use in his 1968 science fiction film, "Barbarella," which starred Vadim's then-wife, Jane Fonda, as a sexy space traveler in the far-away future. Law wore wings to portray Pygar, a blind angel. "I've had more kicks out of playing far-out things," Law told the Los Angeles Times in 1966. "It's like putting on a funny face and going out in front of people and going, 'yaaaaaa.'" He was World War I ace Baron Manfred von Richtofen in the 1971 "The Red Baron" and Charlton Heston's son in "The Hawaiians," a 1970 sequel to "Hawaii," based on James Michener's sprawling novel "Hawaii." In Otto Preminger's 1967 film, "Hurry Sundown," he was a war veteran struggling to preserve his farm against a land speculator played by Michael Caine. He continued his career in a variety of U.S. and foreign films and television over the past 30 years, including appearances in "The Young and the Restless" and "Murder, She Wrote." Law was a California native, and worked in the theater in New York for a brief time before breaking into the movies, spending some time in the Repertory Theater of Lincoln Center, whose directors included the great Elia Kazan. NOTABLE BRIEF FILMOGRAPHY AS ACTOR
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#119
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WoW......he was 70 already....where does the fucking time go.
R.I.P. sir......enjoyed you in these....I didn't see the rest Night Train to Terror (1985) Attack Force Z (5-Feb-1982) Tarzan, the Ape Man (24-Jul-1981) The Cassandra Crossing (18-Dec-1976) The Golden Voyage of Sinbad (5-Apr-1974) I love the Sinbad movies The Russians Are Coming, the Russians Are Coming |
#120
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May 24, 2008
Dick Martin, the zany half of the comedy team whose "Rowan and Martin's Laugh-In" took television by storm in the 1960s, making stars of Goldie Hawn and Lily Tomlin and creating such national catch-phrases as "Sock it to me!" has died. He was 86. ![]() Martin, who went on to become one of television's busiest directors after splitting with Dan Rowan in the late 1970s, died Saturday night of respiratory complications at a hospital in Santa Monica, family spokesman Barry Greenberg said. "He had had some pretty severe respiratory problems for many years, and he had pretty much stopped breathing a week ago," Greenberg said. Martin had lost the use of one of his lungs as a teenager, and needed supplemental oxygen for most of the day in his later years. He was surrounded by family and friends when he died just after 6 p.m., Greenberg said. "Laugh-in," which debuted in January 1968, was unlike any comedy-variety show before it. Rather than relying on a series of tightly scripted song-and-dance segments, it offered up a steady, almost stream-of-consciousness run of non-sequitur jokes, political satire and madhouse antics from a cast of talented young actors and comedians that also included Ruth Buzzi, Arte Johnson, Henry Gibson, Jo Anne Worley and announcer Gary Owens. Presiding over it all were Rowan and Martin, the veteran nightclub comics whose standup banter put their own distinct spin on the show. Like all straight men, Rowan provided the voice of reason, striving to correct his partner's absurdities. Martin, meanwhile, was full of bogus, often risque theories about life, which he appeared to hold with unwavering certainty. Against this backdrop, audiences were taken from scene to scene by quick, sometimes psychedelic-looking visual cuts, where they might see Hawn, Worley and other women dancing in bathing suits with political slogans, or sometimes just nonsense, painted on their bodies. Other times, Gibson, clutching a flower, would recite nonsensical poetry or Johnson would impersonate a comical Nazi spy. "Laugh-In" astounded audiences and critics alike. For two years the show topped the Nielsen ratings, and its catchphrases_ "Sock it to me," "You bet your sweet bippy" and "Look that up in your Funk and Wagnall's" — were recited across the country. Stars such as John Wayne and Kirk Douglas were delighted to make brief appearances, and even Richard Nixon, running for president in 1968, dropped in to shout a befuddled sounding, "Sock it to me!" His opponent, Vice President Hubert Humphrey, was offered equal time but declined because his handlers thought it would appear undignified. The novelty of "Laugh-In" diminished with each season, however, and as major players such as Hawn and Tomlin moved on to bigger careers, interest in the series faded. After the show folded in 1973, Rowan and Martin capitalized on their fame with a series of high-paid engagements around the country. They parted amicably in 1977. "Dan has diabetes, and his doctor advised him to cool it," Martin told The Associated Press at the time. Rowan, a sailing enthusiast, spent his last years touring the canals of Europe on a houseboat. He died in 1987. Martin moved onto the game-show circuit, but quickly tired of it. After he complained about the lack of challenges in his career, fellow comic Bob Newhart's agent suggested he take up directing. He was reluctant at first, but after observing on "The Bob Newhart Show," he decided to try. He would recall later that it was "like being thrown into the deep end of the swimming pool and being told to sink or swim." Soon he was one of the industry's busiest TV directors, working on numerous episodes of "Newhart" as well as such shows as "In the Heat of the Night," "Archie Bunker's Place" and "Family Ties." After an early failed marriage, he was for years a confirmed bachelor. He finally settled down in middle age, marrying Dolly Read, a former bunny at the Playboy Club in London. Survivors include his wife and two sons, actor Richard Martin and Cary Martin. At Martin's request there will be no funeral, Greenberg said. Martin lost the use of his right lung when he was 17, something that never bothered him until his final years, when he required oxygen 18 hours a day. Arriving for a party celebrating his 80th birthday, he fainted and was treated by doctors and paramedics. The party continued, however, and he cracked, "Boy, did I make an entrance!" R.I.P. Dick.
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
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