![]() |
||||||||||||||||||||
![]() |
![]() |
![]() |
||||||||||||||||||
![]() |
||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||||||||||||
![]() |
|
||||
The Runaways (2010)
![]() >>: B Knight and Day (2010) ![]() >>: C
__________________
@Letterboxd |
|
||||
Quote:
Get the Special Edition if you can - contains the documentary and those features mentioned above, plus it's got the unrated version. There is a comparison feature too, between the unrated, R-rated and the cable versions of the film. Pretty nifty to get to know about all the stuff related to it.
__________________
"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
|
||||
Frozen (2010)
![]() A nice intense survival drama. Just expected a bit more tension & thrills. >>: B Home Movie (2008) ![]() A pretty good addition to the Evil Child sub genre of horror. Thanks to Chrono for the rec. >>: B+
__________________
@Letterboxd Last edited by roshiq; 09-24-2010 at 02:25 AM. |
|
||||
Quote:
De Palma and Richard Franklin are both great directors for their unadulterated Hitchcock worship. Psycho II and Patrick rule I don't care what anyone says :p |
|
||||
Quote:
Ripoff of Hitchcock or not, gotta love these 80s slasher stuff! ![]() Can you blame me? ;)
__________________
"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
|
||||
Ace in the Hole (1951). A flop at the time, this Billy Wilder noir classic just gets better with age. Fueled by opportunism and greed, the characters in this film are all too believable for their ugly portrayals of humanity willing to glean the profits of another's suffering. Kirk Douglas helms the gaggle of ugliness in an over the top performance of exploitative manipulations, ending in a literal carnival of tragic proportions. The conspicuous lack of a hero may have accounted for its poor box office performance, the masses were not geared up for journalistic film noir; or maybe they did not want to face the untoward reflection of the media- the gawking masses. With great direction, impressive performances, and an ending that was a director of photography's dream, today's audience might just be a little more real about the veritable nature of the media and its audience. Merci beaucoup.
Genruk
__________________
![]() Fate is my mistress, mother of the cruel abomination that is hope. |
![]() |
|
|